A recipe for hate:
Simmer just a pinch of ignorance over the flames of fear.
By Jacqueline M. Allain
Sexual Agency, Power, and Consent
According to one historian, “few scholars… have viewed the relationships of enslaved men and free white women through the lens of sexual abuse in part because of gendered assumptions about sexual power” (Foster, p. 459). This is in keeping with both the standard feminist conceptualization of rape as a tool of patriarchal oppression3 as well as the traditional (un-feminist) notion of women as too weak, emotionally and physically, to commit serious crimes, let alone sexual abuse, and the idea that men cannot be raped (Bourke, 2007, pp. 219, 328). However, it is becoming increasingly clear that women, too, are capable of committing sexual offenses and using sex as a means of domination and control (Bourke, pp. 209-248).
Naomi Campbell, Quiana Grant, Oumi, Mimi Roche, Mad Kamara, Shirley Charles, Jaunel McKenzie, Alek Wek, Osana Ekue, and Debra Shaw, Jean Paul Gaultier Spring/Summer 2005
The Black History of the White House (City Lights Open Media) by Clarence Lusane
The Black History of the White House presents the untold history, racial politics, and shifting significance of the White House as experienced by African Americans, from the generations of enslaved people who helped to build it or were forced to work there to its first black First Family, the Obamas.
Clarence Lusane juxtaposes significant events in White House history with the ongoing struggle for democratic, civil, and human rights by black Americans and demonstrates that only during crises have presidents used their authority to advance racial justice. He describes how in 1901 the building was officially named the “White House” amidst a furious backlash against President Roosevelt for inviting Booker T. Washington to dinner, and how that same year that saw the consolidation of white power with the departure of the last black Congressmember elected after the Civil War.
Lusane explores how, from its construction in 1792 to its becoming the home of the first black president, the White House has been a prism through which to view the progress and struggles of black Americans seeking full citizenship and justice.
Beverley Cottrell had a dream life: a prestigious job, a beautiful husband and baby boy. This is stolen from her one winter afternoon when her son Malakay is kidnapped from a parked car. Despite a media campaign, a full police investigation, and the offer of a reward, Malakay is never found. Beverley’s marriage soon dissolves and her husband immigrates from England to the U.S. with a new wife.
Beverley gives up her job, sells the house, and moves from the leafy suburbs to the inner city to reside in a west London housing project. She cocoons herself in grief, growing more isolated with each passing year. After two decades she gives up any hope of finding her son. She teaches children who have been expelled from school in the local community center, bright kids thrown on society’s scrap heap.
Beverley starts to believe she has finally pieced her life together—until a young man starts appearing wherever she goes. Beverley is convinced that he’s stalking her. One dark evening the stalker gets past her security door and calls through her letterbox. He tells her not to be scared. He says that he is Malakay, her son.
But is it?
Protest against the Vietnam War, Black Panthers, Washington, DC. 1969.
[Credit : Bruno Barbey]
I am not tragically colored. There is no great sorrow damned up in my soul, nor lurking behind my eyes… Even in the helter-skelter skirmish that is my life, I have seen that the world is to the strong regardless of a little pigmentation more or less. No, I do not weep at the world—I am too busy sharpening my oyster knife. — Zora Neale Hurston, from The African Americans: Many RIvers to Cross
90s TV siblings
Wholesome family television
this dress is so bad. I love it